It is ironic, in a film of precious little irony, that Marie Kreutzer’s intelligently made but unremittingly bleak “Gentle Monster” — the Austrian director’s Cannes competition-selected follow-up to her Un Certain Regard prizewinner “Corsage” — should not only begin and end with a trampoline, but should to some degree pivot on the uncomplicatedly happy image […]
Today’s Sheinelle Jones was blown away by the unexpected item she found while recently cleaning. “I found...
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