Tales of Werewolves, Pinochet’s Cocaine Cook and an Inspiring Musical Collective Galvanize Sanfic’s Work in Progress Lineup (EXCLUSIVE)  

Roberto Doveris’ werewolf tale “Blood Red Nails,” two doc-features – Cristobal Valenzuela’s Black Cocaine” and Agustín Flores’ “The Curve” – and Málaga Fest hit “The Night is a Farce” look like potential standouts at a wide-ranging Sanfic WIP Iberoamericana, which underscores new production models on the rise in Latin America and beyond.     Part of […]