When “Lilo & Stitch” opened in 2002, the Disney marketing department cheekily treated its title character — a shape-shifting alien bioweapon — as the studio’s redheaded stepchild. Conceived by Chris Sanders and Dean DeBlois, the irreverent original story wasn’t based on a beloved classic like “Pinocchio” or “Aladdin,” and offered nothing even remotely resembling a […]
How best to summarise how badly the government fumbled the UK response to the COVID pandemic?
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