Much as its cartel-boss-trying-to-go-good antiheroine does as she tears through her family and community, “Emilia Pérez” defines its environment. It has been tipped for Academy attention since Greta Gerwig’s Cannes jury gave it two key prizes. And its field-leading 13 Oscar nominations (a number that, were there still two sound categories where “Perez” could be […]
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