The wide, still, often unblinking stare of feature film newcomer Jessica Gabriel’s Ujah burns a hole right through “Lady,” galvanizing the camera and issuing the audience with a challenge to look away first. Few will dare. It’s a deliberately confrontational style of performance and portraiture, fixing all attention on a character that people would, and […]
It’s kind of a quiet week among the major streaming services, with a few exceptions. Hulu just...
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