Writer-director Brady Corbet doesn’t see much difference between constructing a skyscraper and making a movie. “There are so many similarities,” says Corbet, whose new film “The Brutalist,” which dramatizes the concessions architects are forced to accept, is also an allegory of Hollywood. “We’re usually working for a client. The infrastructure involved is enormous. The number […]
Australia will think very carefully before making the call, but the pitch and England's approach will at...
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